How to write a (funny) cover letter

Let your humor shine through so they meet the real you.

I freaking love Glossier. I love it so much, I’ve brought every single one of my friends who visits NYC to their store, and I’m pretty sure a lot of the people working there know who I am by name. Plus, my friends always ask me about my favorite products and recommendations. I own every single flavor of their Balm Dotcom, use multiple Glossier products multiple times a day, and feel that I have earned the title “Glossier Queen.” Basically, the next step in my Glossier Journey™  would be to work for them. Or, maybe even better: get them to hire my mom (aka BEST Take Your Child To Work Day EVER). 

BACKSTORY/SPOILER: So I wrote a cover letter to Glossier about why they should hire me and my mom. From Glossier: crickets. WHAT? BUT! The founder of GOLD happened to see my letter, loved it, and hired me to write this article. So I did get a gig—and Glossier, I’m not giving up!

What’s so important about a cover letter? 

You are not a resume. You are a person. A cover letter is someone’s first impression of you, so it should show that you would be a good addition to the team—not only qualifications-wise but personality-wise. 

That’s why a cover letter doesn’t need to be meep morp robot-y. Stand out—be funny! From a decade (holy cow that’s a big number! Gimme an O! Gimme an L! Gimme a D!) of doing theater auditions, I’ve learned that you must stand out to be remembered by the director, which will increase the chance of you getting cast. For those of you who’ve had experience with theater, think of a cover letter as an audition. 

You want to be professional and show off your skills—and you want to stand out. Here’s how!

5 tips for using humor to make your letter sound human

Whether it’s for a summer camp counselor, baby food taste tester, or the CEO of a modern lifestyle brand that rhymes with “Doop,” here’s what you need to get your cover letter the attention you deserve.

1. Say hello! (to a real person)

Research the proper contact, and address them by name. No one wants to read a letter to “Whom It May Concern,” unless their name is Whom It May Concern. Once you know who they are, say hi! It’s nice. I like to say “Hello, name of person who you’re writing to!” with an exclamation point because it shows that I am excited to apply for this job and do good work! Just not too many exclamation points after that! I think you see what I mean!

2. Introduce yourself with ~pizzazz~

Tell them a little bit about yourself. Just a taste—like you have experience in something that relates to what you want to be doing. This is a good place to be authentically funny, or at least charming, if it feels natural. 

Here and elsewhere, this doesn’t mean you need to write an actual joke with a setup and a punchline and a clever tag. It’s more an opportunity to add a bit of very specific and colorful detail, like, if you’re me: “I own every single flavor of Balm Dotcom and am on my third Boy Brow.” (Humor is like ranch dressing. A little with some carrots, broccoli, etc. is good. Great, even! But most people are really weirded out when you just eat a whole lot of it with a spoon.) Also: this is not the place for self-deprecating humor, like “College was awful, like me!!1!1!1!1!!!!” 

3. But also be straightforward where needed.

People like people who make them laugh, but they also like people who are the right fit for the job with a good work ethic and passion. Be clear about:

  1. What gig you want.
  2. Why you want to work there: What are their values? Mission? Why work for them instead of somewhere else?
  3. What you can help them with: Childcare? Research? Taking over multinational corporations? Get specific about the tasks you are ready to roll your sleeves up to do.

This is where you show that you know when to be funny/charming and also when to get down to bizness.

4. Do! Not! Sell! Yourself! Short! 

When you talk about your qualifications, don’t be afraid to let your personality shine through, even as you aim to communicate concrete and important info. Try to paint a picture and describe, rather than just using Resume Words like “detail-oriented” or “self-starter.” Instead of saying you’re “super-organized,” you can say that you color-code your color-coding pens inside a color-coded pencil case. In other words, where it’s not too forced, show, don’t tell!  

5. End with a call to action

Tell whoever you’re emailing what you are hoping to get from them, other than a job: a response. For those of you who are new to writing cover letters, it sounds a bit strange to tell them to respond, but ya gotta do it. Schedule a Skype call or meeting IRL—just do what you’ve gots2do.

The easiest way is just to slide it in during the sign off.  Try “Looking forward to hearing from you soon.”

I’ll end by sharing with you my letter to Glossier. Maybe it will be helpful to you—or maybe they’ll see it here and reconsider. (See: I’m SHOWING, not just telling, that I’m “dedicated.”)

Good luck landing your dream gig—by being yourself!


Hello friends at Glossier!!

My mother and I are beloved fans of Glossier. Both of us would ~love~ to work at your company; alas she has had over two decades of startup experience, including “IPO” (her words, not mine), which was funded by the Lauder family, therefore she would be a better fit for a job. She is, as you probably just read, very experienced with high growth startups, but more importantly, awesome, innovative, and smart. I think she would make an excellent addition to your team. (LinkedIn:https://www.linkedin.com/in/tereza)

Now let’s talk about me: I attended a year of school at Leaf Academy in Bratislava, which focuses on Entrepreneurial Leadership, focusing on design thinking. Through this program, I’ve helped to plan multiple events such as Model European Parliament SK, Startup Weekend Bratislava, Sensorium Digital Arts & Culture Festival, and Výťah Space Conference. In addition, I have extensive experience with social media (being Gen Z, of course).

This past year, I’ve discovered my passion for the environment and sustainability—specifically sustainable skincare and clothing brands. It is extremely important to me, as someone who will be alive to experience the effects of climate change, that lifestyle companies that use their power as drivers of how people go about their lives step in and take action towards climate change. 

I own every single flavor of Balm Dotcom and am on my third Boy Brow, I never go downtown without stopping by the Glossier store—I always bring my friends. In fact, most of my friends refer to me as something along the lines of “Glossier Queen” which is accurate. I attend school in Europe but will be home from July 1st to August 30th. If you wanted to hire me instead, I think my mom would be okay with that.

Our favorite Glossier products are Boy Brow, Lash Slick, and of course, Generation G in Leo, Jam, and Poppy.

Thank you so much for taking the time to read (or not – that’s okay too) this email. Although this is written in a jokey way, I really think she would be a great addition to the team. I would love nothing more than a “take your kid to work day” at the Glossier office.

If you would (hopefully!!) like to reach out to my mom, her LinkedIn is above.

Sincerely,

     Margot Hulme

PS: This is not my mother writing this as a joke; it is me Margot ( https://www.instagram.com/margotkh/?hl=en)


Photo via: Glossier


Margot Hulme is a high schooler living in New York. Not upstate NY, but just outside New York City. When she’s not studying for the SATs (shoutout class of 2021), Margot is probably playing piano or browsing the King Arthur Flour catalog. Ya know, just for fun.

How to get a job as a (TV) writer and comedian

Alison Leiby is a comedian (Bridgetown Comedy Festival) and writer on The Marvelous Mrs. Maisel. Prior to writing for your fave comedy, she contributed to The President Show, The Opposition, and Triumph. Alison will be performing at Ladies who Laugh comedy fundraiser Tuesday, July 30. Get tickets here. Follow her!

Photo via: Alexandra Genova


What’s your job/job title?

Writer and Comedian

Did you always want to do this job?

Once I learned being a writer was actually a job, I knew one day I would do it. Before I knew it was a job I think I wanted to be like, a fashion designer/dolphin trainer hybrid.

What do you love most about your job?

I get to watch TV when I’m home and call it “research.”

What skills are the most important to have for it?

Creativity, flexibility, ability to live off of snacks for most of the year.

Are they skills that can be developed in other jobs?

Depends on the snack situation, but overall yes.

What is most challenging about your job?

Getting writer’s block when you’re in the office and not being able to go to Nordstrom Rack and browse for an hour to get through it, which is my cure when I’m working at home.

What, if any, are the particular challenges in your job related to your being outside the straight-white-dude norm? BONUS: How do you manage or overcome them?

It’s nice to realize that every year I notice those challenges less and less. I don’t know if that’s the world changing for the better, but I hope it is. There will always be jobs or shows or situations where straight-white-dudes will say they don’t “get” the jokes you’re making or they don’t think that reality shows or makeup tutorials or romance novels are worth making comedy about. You just have to know that they are extremely wrong about that and keep making the kind of comedy and writing the kind of things you think are funny. And if those things are “female” in nature or whatever, all the better. Oh, I also make a point of mentioning when my sick days are for my period cramps because it’s time everyone acknowledges what a nightmare that is (and very valid illness!).

What is the most important thing a teen or young job-seeker can do if they want YOUR JOB?

If you want to write, specifically comedy, it’s a skill like any other, so the more you do it, the better you become. Try and write something every day, even if you think it’s not good, it’s making you good. Also read, watch, and engage with as much of the world as you can. The more you know about the world, the more interesting things you’ll have to say about it in your work for the rest of your life. Also, don’t wait for someone to give you permission to write, just start writing (or performing, same rules apply)


Alison Leiby is a comedian (Bridgetown Comedy Festival) and writer on The Marvelous Mrs. Maisel. Prior to writing for your fave comedy, she contributed to The President Show, The Opposition, and Triumph. Alison will be performing at Ladies who Laugh comedy fundraiser Tuesday, July 30. Get tickets here. Follow her!

Read Cassandra’s bio here.

How to get a job as a (funny) copywriter

If you’d told me when I was a teenager that I was going to write for a living I would have laughed and then worried about why I wasn’t going to be a Broadway star. I had tried, and failed, to test into high school AP English twice and definitely didn’t think writing would be part of my future.  

Fast forward six years: I now work as a junior copywriter in a Manhattan advertising agency—basically Mad Men meets Entertainment 720—and as we say in advertising, “You can too!” In fact, I recommend it. Why?

  • It’s my literal job to write creatively and work with fun, smart, interesting people all day.
  • There’s a community-oriented work culture, the opportunity to work with people my own age, and insane snacks.
  • I’m encouraged to continue exploring my interests outside of writing (comedy, music, politics).
  • I get to think about ways to embed untold narratives into one of pop culture’s most dominant media.
  • I get to turn on the TV and go, “Whoa, I helped make that!”

There are a few cons, such as:

  • Advertising is generally a boys club—but we’re changing that!
  • Capitalism
  • Worrying about the importance of a hashtag. #doesanybodyusehashtags #notreally

But it’s all worth it. While I’m not a stand up comedian, being funny has helped me hone skills in copywriting and creative advertising. What’s more, writing comedic sketches, advertisements, and learning about improv, has also made me more confident in my own voice. So if you want to be funny and get paid, try copywriting! Here are 5 essential steps for getting there.

Pay attention to the world.

I decided to study journalism in college and eventually added an emphasis in advertising. I had the opportunity to visit agencies in Portland and New York and became enthralled by the prospect of casual work attire, ping-pong tables in the office, and coffee on tap. I knew I wanted to work in an environment that encouraged having a sense of humor and a point of view.

I also knew early on that if I was going to work in advertising I wanted to work on campaigns that were culturally relevant and hopefully funny as well. When advertising is tone-deaf it can reinforce negative stereotypes or be blatantly offensive—a prime example being the Kendall Jenner Pepsi campaign.

So while 24/7 ping-pong and cold brew in the office are major benefits, it’s still important to make sure that the work you’re producing never loses touch with reality.

Create a portfolio.

The key to a job in advertising, or creative media, is a portfolio. Your portfolio is really just a website of your work and can consist of real projects that have been produced, spec work that you create on your own, or anything else that showcases your writing ability and personality.

Since none of the projects I created in college had a comedic tone, I knew I had to showcase my personality elsewhere. I started a blog on my site where I wrote about important subjects like why everybody should be a fan of musical theater. For any writer, having a blog is a great way to play with different tones while sharing your thoughts and opinions.

Play up your writing-adjacent skills.

When I started applying for copywriting internships, I found success when I focused on my skills and interests outside of copywriting—primarily my background in political research and my interest in comedy. Throughout the interview process, I was able to show that I was funny by answering questions both comedically and confidently. There is really nothing more cringe-worthy than trying to make someone laugh—but when you are hoping to work in a relaxed environment, especially as a writer, hiring managers are often looking for candidates that are smart but don’t take themselves too seriously. I also incorporated humor into my cover letter by explaining how I didn’t think I could become more of a hipster cliché until I moved to Brooklyn and started playing the mandolin.

Also, social media is often a part of a copywriter’s daily duties. Make sure your own social game is strong and shows professionalism (and humor). Everything counts!

Know the agency’s sense of humor.

There are agencies with a reputation for producing comical spots. Some lean slapstick while others focus on a lighthearted concept for an entire campaign. In my experience, the comedic campaigns that are most effective are the ones that are rooted in a cultural trend or observation. This idea mirrors the principles of improv—that it’s not one line that makes something funny, it’s coming up with a funny and unusual concept in general. But during the interview phase, make sure you know and can contribute to whatever their style is.

Find female mentors.

Though there isn’t nearly as much sexism in the advertising industry as there was on Madison Avenue in the 1960s, it can still be difficult to work in a male-dominated industry. I can’t underscore enough the value of having strong female mentors that will have your back as you navigate the field of advertising. Having a community of women to share experiences, discuss wages, and learn tips from, is essential to success. We all have unique perspectives that we bring to the table and it’s important that we surround ourselves with mentors who understand the power of using comedy to share our stories and creativity—whether that’s through an ad or another format entirely.

So come hang out with me! I might not be gracing the Broadway stage, but it’s immensely powerful, and fulfilling, to work in a collaborative environment and write for a living. If you’re hoping to begin a career in advertising, I encourage you to think about how your voice and point of view could positively impact a brand. Oh, but first: take AP English if you can!

Top photo via: AMC. Bottom photo via: Will Nielsen


Talia Berniker is a copywriter living in Brooklyn, NY. When she isn’t writing ads, she studies improv at the Upright Citizens Brigade, attends as many indie concerts as possible, and loves rooting for all things Oregon Ducks.

Are any jokes off-limits? Punching up vs. punching down

A student in one of our workshops once tried out a joke about wanting to hide a knife in her hijab to cut the boys who tried to take it off.

Can she do that? It’s edgy, but sure.

But could a white dude do a joke about trying to take off a girl’s hijab? NOT RECOMMENDED.

This is all a way of answering the very, very common question: Are any jokes off-limits? The answer is YUP! But the real questions are: Which ones, and how do you figure it out?

Put another way:

Is stabbing people funny? NOT REALLY.

Can you do a joke about stabbing people? MAYBE!

It all depends on your joke, on your intention, and on you.

This is why people talk about punching down versus punching up.

Simply put, punching down means making jokes about people with less power than you. Punching up means making jokes about people with more power than you. When you make fun of a mean principal, you are punching up. When you make fun of the dweeby kid, you are…bullying.

Comedy is better when you punch up.

Punching up is morally preferable, generally kinder, and most likely to make the world a better place, as awesome comic and beloved friend of GOLD Negin Farsad notes. “It’s vital to understand the job comedy can do in actively providing a counterbalance to bigotry and prejudice, as well as understanding the types of humour that reinforce negative stereotypes,” she says. “I want to make sure I’m punching up, not punching down.”

But let’s also look at it simply from the level of craft. A punch line is a surprise. A punch line takes some work. A punch line reveals something new, or says a familiar thing a new way. A punch line may even, at best, not just be a rando wisecrack, but a joke that only YOU can tell: a window into your unique point of view.

So for instance when you make fun of someone short, you’re revealing that they are SHORT—and showing us nothing about what makes YOUR POV unique. When you make fun of the mean principal, you’ve got much more to work with: you can reveal something about how you relate to the grownups who boss you around, and you’ll get people on your side without ganging up. And bonus: no one in the crowd will think, “Eeep, that comic’s kind of mean.”

At the level of craft, it’s lazy to write the easiest joke about the easiest target. Comedy is about being CREATIVE and getting people to LIKE you. Do the harder work on your end and you’ll make easier for them.

Where are your up and down?

Up and down are different for different people. It all depends on how up or down YOU are on the existing power structure (#fighthepower). Straight cis white dude, up. Young woman of color with a hijab, farther down. Let’s call them Norm and Nora. Nora could make jokes about Norm. Norm probably should not make jokes about Nora.

But wait. It’s not really that simple. If Norm makes a joke that puts Nora down for being female, of color, Muslim: that’s punching down. If Norm makes a joke ABOUT sexism, racism, Islamophobia with Nora as his main character: bruh, that’s punching up. Because then he’s making fun of the existing power structure itself. Go, Norm.

#elephantintheroom

Can you make rape jokes? YUP!

Quiz: Will the better jokes be about (a) rape victim(s) or (b) perps and the culture that excuses rape, etc. etc.?

If you answered (b), go write some jokes!

There it is: there is no TOPIC that is off-limits. Not even rape! It’s the joke—the target, the POV, the intention—that requires evaluation.   

When in doubt, answer these key questions.

  1. Who or what is my target? Starting point: make sure the target of your joke—the who or what you are making fun of—has more power than you. (Margin of error: one bratty kid sibling.)
  2. Who is my audience? Do they have roughly the same up/down as you? You should be good. If not, tread more carefully. (This interesting counterpoint to the up/down idea is relevant here.)
  3. How’s my tone? YOU KNOW (and so does the crowd) if a joke is coming from a place of snarky mean, or a place of legit anger. (Sometimes legit anger can justify snarky mean, but that’s an advanced move.)
  4. How’s the joke doing? If it’s crushing with the people you want it to crush with, then you’re probably doing fine. (If it’s crushing with a**holes, maybe let it go.) And if it’s just not working at all, even after some tinkering, it’s just not working. Let go of the idea (usually pushed by people on the higher end of the up/down) that COMEDY IS SUPPOSED TO MAKE PEOPLE UNCOMFORTABLE or whatever. Naw. It’s supposed to make people laugh.
  5. What does my gut say? How do you feel when you tell this joke? Delighted and energized, or a little tight and squinched up? Your gut knows what’s up. Your gut is a tough crowd, but a good one. If your gut feels off, maybe the joke is, too. If your gut feels good, punch on!

Read Lynn’s bio here.

6 secrets of networking your way into the comedy business

I almost walked right into Stephen Colbert. The Late Show had just finished taping for the day and we audience wranglers (technically CBS pages) had ushered everyone out. A few of us walked through the door leading the theater just as he was coming in from the other direction. A fellow page stumbled right into him. A step behind, I nearly crashed into him, too. I took a step backward at the last second, looked up at Stephen, and daintily curtseyed as if to say, “Do pardon me, sir.” He chuckled and we went our separate ways. I contend to this day that Stephen’s was genuine laughter. (Yes, we are now on a first-name basis. Not.)


I had just turned 23. Even though I knew I wanted to work in comedy programming, this moment–despite being a literal stumble–made me sure I was headed in the right direction (a rare feeling in showbiz). How did I get there? I worked hard, and I NETWORKED hard.


I studied creative writing and film in college, and interned one summer for Brillstein Entertainment Partners. The next I was able to intern for CONAN in Los Angeles, which also led to a PA gig for Conan’s week at the iconic Apollo Theater in the fall of 2017. Since graduating, I’ve worked as a CBS page, which landed me on some incredible sets: The Late Show, Last Week Tonight, Full Frontal, The Rundown, and several more. I’ve also worked for an upcoming Apple TV comedy about Emily Dickinson (!), and I’m starting my next gig at a Sony Pictures superhero movie next week.


Landing those gigs was never easy, and it still isn’t. But listen: when people say they “stumbled” into a job—like that page and Colbert—it’s almost never true. Networking is KEY. And you can do it starting with next to nothing! Here are 6 tricks I’ve learned that I’m happy to share.

1. Build your own network!

Most of the time you have to build your network from your unique experiences and interactions, that only one person on this earth has had (you!).

One day, sit down and write as many relevant names as you can think of. Don’t worry for now if some people don’t work in exactly the same field as the one you want (i.e. if you want to work in movies, but they only worked on stage shows, still write them down).

You don’t have to email all of them right away, or ever — but get those names on paper. Who knows what direction your career will take in two years, and you don’t want to miss out on any potential connections.

Examples from my world:

  • Old bosses/coworkers from any showbiz internships/sets/media offices
  • teachers/professors/mentors you’ve had who were/are in entertainment
  • the teachers of any performance/showbiz classes you’ve taken (they know people!)
  • relevant friends of [insert anyone important to you]
  • (that means parents, siblings, aunts and uncles, friends, friends’ parents, etc.)
  • Industry adults you’ve met through non-entertainment jobs or interactions (you babysat for them, shoveled snow off their driveways, anything!)

2. Your network may be larger than it appears.

You will find yourself frustrated that people with showbiz connections can find success much easier than you; that’s normal – it is unfair!

But try not to hold resentments against your fellow emerging comedians/peers of unfair privilege. Some of them will know so many people right off the bat (they usually have at least one parent in showbiz). It constantly seems like everything falls into their laps.

Frustration towards these people is definitely justified, but it won’t lead to anything good. Trust me! Hating them won’t get you a job any faster!

Remember you have a more diverse collection of connections to the biz than might first meet the eye.

It is all a spectrum. There will always be people with more connections than you, just like there will always be people with way fewer. Getting angry about how unfair it is won’t solve anything. Just work on building your own network bigger and bigger until one day, it will be the network everyone wants to have!

3. Early in your career, make the most out of all opportunities—which includes making friends!

At most of these ‘starter jobs,’ your actual tasks may not be the most thrilling or informative about comedy/showbiz. They’re still worth it for two reasons – exposure and friends. You get exposed to the whole world, even if you can’t participate (I think of it as watching the parts of a machine work together to create one perfect product).

When I interned at Conan, one part of the machine was getting to watch rehearsal. Conan would pluck his guitar while he, Andy and the writers worked through jokes. We could only observe but it was still great. Once we are real people on set, we won’t get to sit back and enjoy anymore.

The other great thing about the bottom of the totem pole is the camaraderie. You will make your closest friends in these circumstances.

At Conan, it was sheer number of hours the interns spent together. We bonded. For example, during downtime, I taught two other interns how to solve a Rubik’s cube. Even though we are still all in our early- to mid-twenties, some of those fellow interns are now Fallon writers, MSNBC producers, etc.

What I found as a CBS page was an already-existent network that constantly ebbed and flowed. I was simply woven into the fabric of it. I started as the newbie, then the regular, then the seasoned pro, then the one who finally gets their big kid job and moves on. It is the circle of the page program.

We were a group that got along because besides all loving showbiz, we had the shared misery of getting yelled at by people for things we did not control. We would often go out to eat or drink as large groups after our shifts. Many of us are still close friends. If you stumble across a group like this, make yourself indispensable to it.

I got my job working on the Apple TV show because the person who’d previously had the position quit unexpectedly. A friend of mine who I’d met at the page program (who already worked on the show) immediately recommended me for the job. I was hired later that day!


So be nice to everyone!! Everyone, okay? Yes, that includes tolerating the tools. Sorry.

4. Don’t judge!

Not only because you’re often wrong, but because people can sense it. They will know if you were looking down on them. The beautiful girl who seems like she has the easiest life is probably just as bright, determined and troubled as anyone else.

There is no room for assumptions or prejudice. I originally thought that one of the first pages I spoke to on the job was a bit of a… well, tool. He is now one of my best friends in the entire city! It turns out we grew up 10 minutes apart and had been living semi-parallel lives. What I initially read as cockiness was actually just confidence.

Because I was so green (new), I thought his security must have been a sign of pompousness. But he was just secure! I found myself saying things within similar certainty within a month there.


Obviously, if you see someone be cruel, it’s different. But this is about initial impressions and how wrong we often are.

5. Know that you will get conflicting advice.

This is natural because success in showbiz can come in so many ways, and seasoned pros like to share their stories. (If they don’t share, ask!)

Don’t get too stuck on their specifics; what worked for someone might not be what you will need! For example, after talking to two different pros, I heard:

“Take only relevant jobs. Don’t work in tangential lanes… if you want to be on the creative side, apply for those jobs. Don’t accept any old job just because it’s on a TV set or about entertainment. You will get stuck in those lanes.”

AND

“Get your hands on any showbiz job you can! You will meet people there; who knows who will walk into your office? Soak it all up, even if it isn’t an exact fit! Just grow your network!”


Both these people are successful. Neither is wrong. It comes down to what feels best to you and excites you more. At a certain point you just have to go with your gut. I went with my gut for the Apple TV show and it was an amazing decision. It was a clerk job in accounting!

Don’t feel guilty for not taking the advice of someone successful – it’s not an insult to them (someone may be very cool and definitely successful, but their method is just one way). I wouldn’t ignore EVERYONE’s advice, but again, if it feels like something good is brewing, go for it.

6. Every day you are continuing to forge your own path. Keep on it!

But do learn to curtsy. Just in case.

Photo via: Lauren C. Jones


Nina Lerner considers herself a lifelong New Yorker despite growing up in the suburbs. Her passions include the golden age of TV (now), rainy days and Paul McCartney. 


How to respond to FUNNIER: GOLD’s daily prompts

Hi! If you’re here, you’ve probably signed up for FUNNIER: GOLD Comedy’s new daily humor-writing prompts. Thank you, and welcome! This means you are going to get FUNNIER every day! (See how we did that? Also, it’s TRUE.)

  • Oops, haven’t signed up yet? NP. Click here.
  • What’s GOLD Comedy? Find out here.

So what are these prompts?

      1. We text you a prompt, like “Ruin prom in 5 words” or “I wish my pet could…”, and you respond with something funny! (Tip: UNDERthink this. Start with the first thing that pops into your head. More below.) Send in your response(s) by 5 PM EST. Reply once OR as many times as you like!
      2. Our team of GOLD judges (made up of people* just like you!) will announce their favorite responses at the end of the day. You can check it out here.
      3. Next day: Do it all over again! We’ll be running FUNNIER for a month to get a clear picture of the kinds of prompts you do and don’t like. Then we’ll head back into GOLD Comedy labs (#girlsinstem) and, based on your responses, create more fun/funny stuff for you to do. 

MEANWHILE: Browse through our big library of comedy-related info and #inspo.

Still have Qs? We have As!

Why should I do this?

It’s a mini comedy workout! No matter what your other life goals and interests, making a little bit of funny every day helps you:

    • get your head in the game
    • write better
    • think sharper
    • stop overthinking
    • let go of perfectionism
    • get snappier with comebacks
    • understand what makes YOU laugh
    • find and hone YOUR authentic voice and unique lens on the world

What if I don’t want to be a comedian?

NO PROBLEM. Getting funnier is a good thing in so many ways. There are a ton of reasons to find and hone your funny that serve you no matter what your #goalsMaybe you want to be funnier on Instagram, funnier anywhere BUT on stage, funnier at the lunch table, funnier in writing, funnier at protests, funnier in your OWN MIND. Maybe you want to be an ad or TV writer, a journalist/novelist, a talk show host, an INFLUENCER. Funny helps with all that, and more:

What if I’m not funny?

There are a million ways to be funny. Replying to this prompts will help you tap into what makes you laugh, which is part of finding your own unique voice. Being reliably funny takes PRACTICE. If a joke doesn’t land, that is PART of comedy. It doesn’t mean you’re not funny. It means you’re writing comedy. Just give it a whirl and see what happens. You got this, Travis. 

How long am I supposed to spend writing a response?

Not so long! Everyone’s got time for this! Go with your first thought, and if that doesn’t pan out, try your second. Take 30 seconds, maybe a minute. Stare at it for a few seconds before you send it in, and tinker if you like. (Comedy IS tinkering.) Then go ahead and send that bad boy in! If you see “mistake” in your response, you can always send in an updated version—and you can always send in more.

Can I send in more than one response?

Yes! Comedy REQUIRES banishing perfectionism: you toss so many ideas and variations out there that eventually you’re no longer worried about whether one joke is funny or not, because you’re already thinking three jokes ahead. By sending in a bunch of responses at a time, you learn about what feels funny to YOU—and you can improve on your own jokes without feeling the pressure to be “perfect.” 

SERIOUSLY, I’M NOT FUNNY!

Now you’re cracking us up. This is funny! Why? Because you just did a CALLBACK! No, but seriously, we hear you. But you’re still here! So just come and give it a whirl. We are all very nice. This is a place where even people who are already secure in their funny will write jokes that don’t land. Also, to be clear, no one ever died from not getting a laugh.

Are any jokes off-limits?

Good question. We don’t have rules about specific jokes or topics so much as we have a basic code of conduct. That said, MOST good comedy, especially when you’re learning, punches up, not down. This is true from an ethical standpoint (pick on someone your own size, or bigger), and it’s true simply at the level of craft. Writing jokes about people less powerful than you—punching down—is less funny than the opposite because it’s usually predictable, not surprising. Punch lines, by definition, require surpriseSo: joke unto others as you would have them joke unto you.

I think my friend might like this. Can they sign up?

YES! The more, the funnier!

What if my friend is a dude? Can he sign up?

Yep. GOLD Comedy puts girls (and other folks outside the norm) first because comedy doesn’t—but that’s the point: we’re here to include*, not exclude. Plus, never hurts for dudes to be in the minority and kinda sit back and watch what happens when girls are in charge. 

What if there’s a day I can’t think of a good answer?

All of these prompts are great practice to help you learn to be ok with not being “perfect.” So if there’s a day or two where you feel like you can’t think of an answer, no big. There will be another prompt the next day, and the next, and the next. There is always another chance to be funny. 

Bottom line: whether you’re a massive comedy nerd, comedy-curious, or just think this could be fun, LET’S DO THIS.

 

P.S. Ready to dive in deeper right now? Check out our one-of-a-kind online class! Bonus for you for reading this far: $5 off (reg. $19) with code goldfiveoff.

*femme/female-identifying/genderqueer-non-binary/GNC/girl-adjacent/your own description…if being part of a community of funnymakers sounds interesting to you, come on in. 

Read Lynn’s bio.

4 reasons not to worry (much) about people stealing your jokes

“How do I make sure nobody steals my jokes?”

It’s a common question, and there’s only one totally foolproof answer: NEVER TELL ANY JOKES.

Look, I don’t mean to just be sassy and unhelpful. It’s just sort of similar to the only foolproof way for someone to never steal your purse, or your look, i.e., never leave your house! Point is: In comedy, as in life, you have to get out there—and while there are always risks, the rewards are worth it.

That said, of course joke-stealing can be a thing, or certainly an allegation that you don’t want to get into. Even top-tier talent like Conan O’Brien and Amy Schumer have has accusations thrown their way. (Schumer, for her part, vehemently denies any thievery, as does O’Brien.)

So here are four things you need to know about getting yourself and your original jokes out there—and not worrying about who hears ‘em!

   

1. Joke stealing may happen, but it’s just not DONE. It is, arguably (now that we are talking about sexism and harassment), the second least cool thing you could possibly do in comedy, and, likewise, the second-best way to ruin your own reputation. If you’re the one whose joke gets obviously stolen, in karma terms, you’re actually the one who comes out ahead.

   

2. Sometimes two comics make the same jokes! Naturally, with so many comics making observations about the world around them, similarities are bound to exist between one guy’s airplane food joke and another’s. If you see a joke similar to yours our there, it may just be the laws of probability and comedy coming together.

   

3. Generally, people want to write original material. They’re just like you! A great rule of thumb: write jokes no one can steal. What does that mean? It means that even if you talk about the same topics as others (homework, let’s say), and even if you have a take similar to others (homework is annoying, let’s say), there’s going to be something unique, at least around the edges, about YOUR take: the word choice, the wrench you apply, the details particular to your world (your teachers, the topics, what it’s like in YOUR house when you try to get homework done, etc, etc.).

   

4. It’s in the GOLD Code!

   

So yes, the thought of someone stealing your jokes can be scary, but the reality of it happening is small enough that it’s not worth stressing out about. And it CERTAINLY should not stop you from writing and sharing! Write the jokes you want to write that are original and uniquely YOU, and you’ll be the one stealing…the show! (<<<GROAN. Also, TRUE.)


I’m still funny: 5 ways to survive working in the male-dominated comedy industry without losing your sense of humor

I often think about that time when a male peer—someone I’d wanted to learn from and exchange ideas with—told me, to my face, these exact words: “You aren’t funny because your comedy is too queer and might offend some people.”

You may be thinking, “Emily, did you punch that doofus in the face?” No, I did not. I’m not a connoisseur of confrontation. And if I want to get on stage and workshop some jokes about queer dating in the greater NYC area, then SO HELP ME OPRAH I WILL! 

But that doesn’t solve the problem back at work. Being told you’re not funny because of who you are: it’s maddening, but not uncommon. Especially if you’re someone other than a dude.  And it’s no secret that the comedy industry is heavily male-dominated. It’s hard to remember when you’re deep into the utopia that is this website, but even today, only about 10% of comedians are women. The wage gap is still prevalent with women making less money hustling just as hard as men, it’s no wonder that we have A LOT to say. All jokes aside, it just isn’t fair! We’re so freakin’ hilarious!

While it’s not on us to fix everything for everyone, we do have to find ways to do our part—to get seen and heard, to make the most of opportunities to collaborate with everyone, and even just to survive. After many discussions with my female colleagues and friends was that I certainly could find ways to handle those doofus situations. And I did start to learn how—which is good, because in the comedy industry, stupid stuff like that happens on the daily. It’s so easy to lose your sense of humor, but guess what? I SURVIVED/ AM SURVIVING, and you can too! We have to!

Here are some of the sexist/anti-queer things that I experienced and—once I got the hang of it—how I dealt with them.

THAT TIME WHEN… I was asked to separate the male and female comedians for a show lineup by my superior.

Here is a quintessential example where I knew I had a voice and was entitled to use it. Confused as to why this seemed to be an issue with my boss, I retorted with, “Separating comedians based on gender doesn’t showcase anything but ignorance.” (YASSSSS. Crowd goes wild.) If you plant the seed for conversation in this type of situation, it prompts a discussion and may even slowly shift the framework in individuals who feel there is still a definite distinction of what’s funny between men and women. (#SPOILER: There isn’t.) In the end, my boss kept the lineup the way he wanted it. Sometimes your superior listens and that’s a start, but even if they do not, know that you tried to make an effort. You can’t win every battle!

THAT TIME WHEN… someone asked for my opinion and someone else immediately someone started talking over me.

OMG SO RUDE. You have every right to be up front and honest with the person that cuts you off. In a collaboration, all ideas are welcome, but there is a time and a place for contributing your own ideas. I made a point to wait for my colleague to finish talking, proving that I was not going to cut him off as well. I then politely, yet assertively let him know that cutting me off mid sentence was rude (in front of the entire group) and carried on leading the discussion. If you don’t feel comfortable confronting them in person, speaking to them privately about how it made you feel is 100% acceptable as well.

THAT TIME WHEN… I was told to “tone down” my sketch material because it was “too gay.”

Yup, this crappy lightning struck twice. Never ever get into a situation where a cisgender man tells you that your comedy is “too gay.” It’s sacrilegious! Knowing your audience before a show can immensely change the reception of your material. So that’s exactly what I did. Heeding those biased words with a grain of salt, I sought out more queer and female audiences that would better understand the jokes I was trying to make. They loved it, and in return I felt proud of my sketch baby who initially wasn’t receiving the proper love and care they needed. Always be proud of your metaphorical sketch baby!

THAT TIME WHEN… a coworker in a professional setting said, about a colleague, “Forgive me, but she’s too cute.”

Hard PASS. Anything you experience, or know of someone who has experienced this, REPORT IT. Inappropriate behavior is inexcusable in any sense. I sent an email to my superior’s superior, detailing the interaction we had, making it known that this was the behavior taking place and how uncomfortable it made me. Even though it wasn’t directed toward me, we have an obligation as women to have each other’s backs; to support each other no matter what!

THAT TIME WHEN… someone stole my jokes!

I mentioned a joke of mine to a guy friend of mine in private. Cut to: I see him perform THAT EXACT JOKE, to a crowd that ate up the LIES. People believe that women are vulnerable, naive beings and that’s just not true! (That, or he steals jokes from EVERYONE.) Never let someone else take advantage of your sense of humor and label it as their original joke. And wait until you hear the super clever and withering way I dealt with it! Well, we’ll all be waiting a while because I wussed out and avoided it. Basically (for some reason), I feared losing his friendship. It took me a long time to realize it’s okay to cut someone out of your circle if you can’t agree or at least compromise on the ground rules.

It was my best friend, Cher, who said in her 2013 contemporary hit Woman’s World, “Said I’m stronger, strong enough to rise above, this is a WOMAN’S WORLD…” and ain’t that the damn truth! It’s 2019 and women are funnier than ever. You never really believe that you’ll come across such adversaries in your career, but when it does happen, you now have the tools to combat the murky male-dominated waters! It’s a symbiotic relationship between your confidence and your comedy, and no dudeor anyone for that mattercan take that away from you.

How have you dealt with THAT TIME WHENs like these? Let us know @goldcomedy!

Photo via: Babbletop


Read Emily’s bio here. 

How to get a job as a TV (comedy) production assistant

There’s Netflix, Amazon Prime, HBO, Hulu, and hey, if you don’t find anything there, remember YouTube and Apple stream shows now too. So many shows, so many production assistant jobs—right? Yes and…even so, they’re still hard to get. But not impossible!

I’m here to give you hope that, yes, there’s a possibility you could be locking up the set while Midge runs across the street with Lenny Bruce or while Number Five is jumping through time to stop the apocalypse. Over the course of summer 2018, I was a production assistant for a variety of gigs, which eventually led to an opportunity to work on Orange is the New Black, otherwise known as OITNB, or GGE (GREATEST GIG EVARRR). Here’s what I learned about how to get there:

So what does a PA job even look like?

You’re the grunt of the group, running here and there for whatever the show may need.  A good chunk of your time, especially as a first time PA, will involve set lock-up during taping. When a scene is rolling, it is the PA’s job to keep people from walking into the shot. This could include people working on set or pedestrians on the street.

I’m not going to lie, set lock-up will take up the majority of your time, but you may also be asked to run errands, help with crowd control, equipment setup, and craft services. Sometimes your responsibilities will depend on the level of production, whether it is a high- or low-budget project. On the lower budget sets, you tend to have more duties (a.k.a. take the small jobs too)!

It may not be the most glamorous role on the set, but it’s still an important one. If you hang in there long enough, opportunities will open up to move up as PA to more specific areas, like roles as Costume, Office, and First Team PA’s. At the bottom, you’re there to learn, work hard, make connections, and explore what interests you the most in production!

LinkedIn, LinkedIn, LinkedIn

GOLDMINE! All the contacts you could ever need are on there! Did you find someone who is a production secretary for The Marvelous Mrs. Maisel? Great! Message them. If you find someone who is a producer or a writer, definitely message them too! Keep in mind, though, people who are just a step or two ahead of you, like a production secretary, are probably looking to move up too and are more likely to check their messages and sympathize with your plight. Ask them to help a girl out! Introduce yourself, your experience, what you want to do, and ask them if they’d be willing to talk on the phone or over a cup of joe. Do not ask them for a job, but rather for advice. You’d be surprised how many people want to talk about what they do, especially if it’s something they love.

I messaged many, many people. A lot I did not hear from, but an occasional few took pity on my sorry self. One contact added me to social media groups where low- and high-budgeted projects post PA gigs. I applied to a super low-budget, unpaid PA gig and got it. Do not say no to those projects unless you have a good reason to (like food and/or shelter) because you just never know. A couple of the connections I made on that set worked for OITNB. They saw the good work I did and dragged me along with them on a few other projects until one day they asked me step into the holy ranks of OITNB.

Be “annoying” (sic)

We often confuse annoying with persistent. Do not be afraid to be persistent. Look, the people you’re messaging are busy. In fact, they probably did see your message and decided they’d answer later, but forgot. Can you message them again? Of course! I recommend waiting at least a week. Many times I’ve had people respond to me a week to a week and a half later. If you’ve messaged them again and still don’t hear back after a week, then you can probably drop it.  

This persistence applies to current contacts too. If you’ve built a solid relationship with past supervisors, reach out to them! Ask them if they want to catch up. Always, always, always touch base with connections every few months. If a job opens up at their company/show, light bulb! You’ll be fresh in their minds. A motto you will become very comfortable with this in this process: You just never know.

Keep your friends close, but your peers closer

Everyone starts out differently in the entertainment industry. Don’t fret if you don’t get that first PA job fresh out of college (not many get so lucky). And don’t get jealous when a former fellow intern or co-worker of yours does. Instead, be excited! Cheer and praise them and then slip in there and use that connection. I interned with The Tonight Show Starring Jimmy Fallon in spring 2018. It changed my life because I was suddenly surrounded by all these other interns who were interested in the same career path as me. And they have the drive to pursue it too. Their connections become yours and vice versa. You can be friends and value their industry connections.

I know it’s daunting. It’s still daunting to me! But keep in mind these aren’t the only things you can do. They just happen to be avenues I found helpful. I know people who were agent assistants who found the experience beneficial for work at production companies. People start as PA’s in news and broadcast and find connections in television through that. Don’t let the grind wear you down or make you doubt yourself. Don’t pass up opportunities that could lead to bigger things just because it’s not how you imagined beginning. Be fearless and proactive because, that’s right: you just never know. As Nicky says on OITNB, “You’re tougher than woodpecker lips. You’ll be okay.”

Photo via: Orange Is the New Black Wikia/Netflix


Erin Kinkley originates from the great state of Ohio and is an alumnus of The Ohio State University (hail Brutus!). Her interest in comedy and entertainment includes experiences in television as a former intern at The Tonight Show Starring Jimmy Fallon and as a set production assistant. Currently, Erin is attempting to unravel the inner workings of J.K. Rowling’s mind. What’s the formula for making the bestselling fantasy book series of all time? That’s what Erin plans to find out.

How to be funny on Twitter, Vol. 3

Being funny on Twitter is an ART. It is TOUGH to squeeze your genius into 280 characters, but it’s worth it: no matter what, it’s great practice for concise, show-don’t-tell writing, and a perfect place to test out your jokes. That’s why we’ve already written about the beautiful hellscape that is Twitter here and here—and we STILL have more to share!

This time, let’s talk about: the comedy devices people use to be funny on Twitter. Sometimes they’re flash-in-the pan memes that fill your timeline with short-lived riffs or giant cows. But some are the comedy gifts that keep on giving. So when you’ve got a funny thought but aren’t sure how to shape it, look here for ideas!  

And if you don’t see your favorite one here? Please DO @ us!

Compare and share

Comparisons can be an excellent source of content, and you make them all the time without even realizing it. Use the tweet styles below to draw attention to the comparison you want to make.

Me… Also me

This format is great to use when you realize you have made a funny self contradiction or are doing something you know you shouldn’t. Alternately known as the “evil Kermit” meme.

Time jump

This tweet style is great for drawing a comparison between the differences in yourself or others at different ages. For teens who may not have that many years under your belt yet, you can structure it as “Me at 13 vs. Me at 18.”

Me, an intellectual

Faux-intellectualism is always funny. Bonus points if you can combine it with another device or meme, like the tweet below:

Product suggestion

This one is great for when you have an addition or “improvement” to an already-made product. The more absurd you can go with these while still suggesting a semi-desirable new thing, the better. Structure: “Those [familiar product], but [joke].”

Log of dialogues

Although people often use Twitter as a place to monologue about their thoughts, don’t forget to incorporate dialogue into your feed. These back and forths can be a simple way to get a point across.

You vs. your body

This tweet style puts you at war with… yourself. What does your brain argue about with the rest of your body?

Interrupting Cow

Obvs, the famed “interrupting cow”  joke but in tweet form. It’s great for when you want to demonstrate how a common-sense point keeps getting shot down for stupid reasons.

Baby talk

Do you have a short message you want to make that doesn’t need a lot of context? This dialogue format between a parent and a baby is a solid option. Works best when your message starts with a “D” for “Dada” or an “M” for “Mama,” but you can get creative with your baby’s first words!

A picture’s worth a thousand tweets

Got a great GIF, picture, or video you want to post but not sure how to frame it? Use one of these!

ONE JOB

Have you seen something so counterintuitive (read: epic #fail) that you just had to take a picture of it to prove it was real? Now you have ONE JOB: post that pic with the “You had ONE JOB” caption, and let hilarity ensue.

Passive aggressive prayers

This one is tricky to do successfully and without shaming anyone, but if you notice a friend or family member that resembles someone/something else, you can plug it into the “Pray for my ____, there’s nothing wrong with him, he just ____” format. When in doubt, check with them first!

General GIFfery

Have a funny GIF or video that you want to post, but not sure what to say about it? Set it up so that your GIF/video is the answer to a question! The example below frames it within an interview, but your answer can be to your mom, friend, teacher, or whoever makes the most sense.

Re: Retweets

See a tweet that you just GOTTA respond to, but you’re not sure how? Here are some devices you can try out.

Check your spelling

See a tweet that misrepresents fact or a news story so blatantly that you can’t help but respond? Use the “You misspelled ____” device to write out what the tweet SHOULD have said. (Also known as “Here, I fixed it.”)

Staring contest

This device is perfect for when you want to use your specific background—your race, culture, sexual orientation, etc.—as the focal point of your response without wanting to get too deep into minutiae. Not sure that “stares” is the way you’d respond? Try out “laughs,” “scoffs,” or “nods” paired with your background.

Said no one ever

Similar to Check Your Spelling above, if you see a tweet (or quote in an article) that is laughably wrong or one that you know many people would disagree with, just quote tweet with a simple “…said no one ever.”

This + that

You’ll see a lot of these “this + that” Twitter formats that often go viral, where you can really let your creativity and humor shine through your retweeted answer. Don’t be afraid to push the format limits, like this run-on reply did here.

Tweet tags

These devices are great when you have a topic or idea that feels fairly fully formed already, but you’re not sure how to end it.

TED Talk time

Use this one when you have a strong opinion that you know is #hottake OR, if you’re being silly, the opposite. Pop a “thank you for coming to my TED talk at the end” and you’re golden! Note: if you run out of room, this one’s common enough that it’s funny to just trail off, as in: “Thank you for coming to my Ted ta”

In this essay

Similar: Have a counterintuitive or unique point to make and only 280 characters to do it in? Write as much of your idea out as you can to get your point across and then end with an “in this essay I will” to show that you could go on long enough to fill a scholarly journal.

Don’t @ me

Got a controversial or unconventional point to make? Slap “don’t @ me” at the end of your tweet and prep for a debate.

Asking for a friend

Any silly questions you want to ask the Twitter-verse work best when you are “asking for a friend.” This is also a great way to make thirst tweets more palatable: you’re not lusting after Shawn Mendez’s new Calvin Klein pics, your “friend” is!

*checks notes*

This device works well when you want to highlight hypocrisy or a piece of information that should be obvious, and is often used with a picture or retweet. A great choice for political opinions and satirical takes as well.

Grab bag

These devices don’t necessarily fall neatly into one category, but they don’t have to when they’re as funny as these are.

Yeah, sex is cool…

When you want to draw attention to the best moment or feeling in the world, just point out how much cooler it is than sex and voila! Viral tweet activated.

Don’t say it…

Have something you really really wanna say, but also have a chorus of people telling you “don’t say it” in your head? This device turns that thought process visual, and has the added benefit of helping you put out your favorite dad jokes, puns, or other silly thoughts into the world.

Rupi Kaur poetry slam

Oh Rupi Kaur, what would we do without your beautiful yet formulaic poems? Turn them into a tweet, of course! Copy her poetry style for your short takes that sound deeper than they actually are.

Personal reasons

We all have our own personal reasons for doing things, but now you can leverage them as the setup for tweeting about anything that typically occurs regardless of personal reasons.

When in doubt

If you’ve made it to the end of this list, you know that there are so many different formats you can use for all your tweeting needs, but if you are ever really and truly stuck, use the tried and true “just gonna leave this here” tweet. Then you can post anything—and we mean ANYTHING.